Showing posts with label flash fiction. Show all posts
Showing posts with label flash fiction. Show all posts

Thursday, February 9, 2017

Current Conditions: The Writerly Edition


Here we are: a new year, a new day. It has been an eventful few months with the U.S. election, and the new administration settling in. Sometimes it feels like there is nothing that we, collectively, can agree on except that we are all living in a time of great change.

Change. I find that people generally love the idea – but hate the reality. Yet, change isn’t only necessary, it’s inevitable and constant. We have always lived in an ever-changing world. And it’s this belief that brings me back to the page, to the stories that will show us the world as it is, and the world as it might become.

When I think about what it means to be a writer in America today, about ways to create something meaningful in these current conditions, I realize that in the face of such monumental, wrenching change, it falls to the writers and artists to look at the confusing welter of reality and to report back. Our work is to tell the stories of our future survival, even when the shape of the world eludes our grasp.

How impossible. 

I make peace with this by telling myself that it is not my job to succeed only to #persist.


So again this year, like that most persistent man from La Mancha, I will tilt at the great American novel. What I thought I wanted to write before November 8 no longer feels relevant, so I am sifting through the ashes of half-finished projects. I’m working ideas, playing with characters, settings, and stakes. I’m gathering tinder and striking the flint on the rock and watching for sparks.


In the meantime, I have a new flash fiction out. You can read, “An Accounting of the Sky,” in the latest issue of The Colored Lens.


And my review of the Nottingham Review on The Review Review.


Wednesday, August 17, 2016

Hey Toto, we're in Kansas! Readings and Panels at WorldCon!



It's been a crazy, busy summer with lots of travel and time with family. I've managed to do some writing. I thought I'd take a quick break from the novel by writing a short story, but the story grew (as my stories seem to do nowadays) into a novella. I'll finish revising it and return to the novel just as soon as I get back from WorldCon!


I have an early flight tomorrow, which is a good thing as I have a busy day coming up.

I'll be reading at 1:30 in room 2202
I can't wait to share a story or two live and in person.

From 5:00 - 6:00 I'll be moderating "Knock on Wood: From Squirrel Girl to Lumberjanes" (room 2207) with fellow panelists Jason Stanford, Catherine Lundoff, Adam Rakunas, and Tom Galloway.
"What the junk?! In the last couple of years we've seen the growth of comics that might superficially appear to be aimed at a YA audience, however these titles are hitting the mainstream with a vengeance. Marvel are leading the pack with Squirrel Girl, Ms Marvel and Captain Marvel, but there's also a vast amount of Indie work coming through such as Lumberjanes, Space Dumplins, Khaos Komix and Footloose. Our panel discuss why these titles are so popular, and what they have to offer both new and established audiences." 
From 6:00 - 7:00 you can find me participating in "Cleaning Up Your Prose" (room 3501B) with C.C. Finlay(!), Randy Henderson, Rob Chilson, moderated by Alan Smale.
My love of revision is no secret. I'm looking forward to a lively discussion about how writers go about improving their work once the first draft is finished!

Then on Saturday from 4:00 - 5:00 back in room 2202, I'm thrilled to participate in Flash Fiction Online's group reading. This one is going to be tons of fun. Hosted by Anna Yeatts and Chris Phillips, come by to hear stories from Sunil Patel, Kelly Sandoval, Laura Pearlman, Beth Cato, and yours truly!

You can check out my schedule and more here. Hope to see you there!

Wednesday, June 1, 2016

"Six Impossible Things Before Breakfast" or Alice Gets Very Very Small



I'm delighted to make my second appearance at NewMyths.com with my story, "Six Impossible Things Before Breakfast," inspired in part by Alice in Wonderland.



I have to confess, I could never get into Lewis Carroll when I was younger. All that changed when I read Alice in Wonderland and Through the Looking Glass to my daughters. I found both books delightful and challenging (and a real joy to read aloud). 

Fantasy distinguishes itself from other forms of fiction by bending the rules that define our experience of reality. Most fantasy plays with the rules of how our world works rather narrowly. For example, vampires or magicians tend to move in a world that, while it may not be of our time, is otherwise mundane and predictable. Their special powers are defined and are bounded specific limits. Carroll's Wonderland is a limitless and constantly mutable place. There is no solid footing for Alice or the reader. 

For all that we know about reality, how our universe actually works is a mystery so deep as to have that same disorienting effect of absolute fantasy, which is why I decided to send my Alice down a rabbit hole to discover a world as strange as anything in Carroll's Wonderland.



And for something completely different, my review of Iron Horse Literary Review is up over at The Review Review.

Wednesday, September 2, 2015

Read "Six Impossible Things Before Breakfast" at the Lovely Saturday Night Reader


Today you can read my story, "Six Impossible Things Before Breakfast," at the Saturday Night Reader's lovely website. It's flash fiction, so it will only take you a minute. Stick around to read some of their many other short stories. There's a lot of diversity in style and content in these pages, so there is something for everyone. 
I can't really say how I came up with a time travel story influenced by Alice in Wonderland, but this one sure was fun to write!
Illustration for Alice in Wonderland by Arthur Reckham

Friday, January 2, 2015

Hello, New Year


This year, instead of making resolutions, I’ve made a plan. Heading into the second half of December, holiday and family obligations avalanched and, as usual, my writing ground to a halt. Instead of feeling bad about this (like I do every year), I spent those last couple weeks creating a plan for 2015.

A plan that includes not only weekends off, but writing vacations. I’m building in two weeks off at the end of December, one week in June (when school ends for my girls), and I’m keeping one vacation week in reserve to be slotted in as needed (spontaneous road trip, anyone?).

Over the last couple years I’ve established a daily writing habit and I have a good idea of how many words I can write in a typical day and how much I can accomplish in a day, a week, a month.

The plan has me drafting, revising, and finishing:
6 flash fiction stories
4 short stories (3,000 – 5,000 words)
2 novellas
1 novel

2014 was the year when a lot of my short stories grew into something longer and I ended the year with a lot of open projects as I learn to manage longer forms, both in terms of writing skills and writing time. The flash and short stories will be new. The novel and novellas are projects started in 2014 that I will finish this year.

I’m budgeting two weeks for short stories, a month for the novellas, and six months for the novel, which is really a guess. This is the novel I began late last year, so a lot of the preliminary work is complete. 

The closest thing to a resolution I have is that I intend to track my daily work in a log book. An actual paper journal, because I’m old fashioned that way. At the end of this year I will have better data to further refine and improve my process.

Thursday, August 7, 2014

Read My Diorama Story at DSF & Writing Process Blog Tour

The outline on the window
Today you get two blog posts for the price of one!

First, the end of summer is in sight, and soon the kids will be returning to school. It’s in that spirit that I hope you enjoy my diorama story. I really enjoyed writing it. Be sure and stick around Daily Science Fiction to check out some of the other great stories on this site. This fine venue has been reliably publishing fantastic writing for years. I am so proud to be published by them!


Second, Patrice Sarath tagged me for a Writing Process blog tour, which is tricky as my process is almost certainly still evolving. The best I can do is give you a snapshot of what my process is today.

What am I working on?
My first novel! Well, technically no. I’ve made a couple attempts before this one including a couple NaNoWriMo novels. But, I won’t be inflicting those on anyone else’s eyeballs. Those early attempts taught me a lot about the craft. It’s good to have a couple novels to line the bottom desk drawer where they can live out their days in dark and quiet solitude.

How does my work differ from others in its genre?
I dunno. I love reading both literary and genre fiction, so I guess my work sits at the crossroads of those two. I’ve always liked being hard to categorize, except when I’m asked to describe myself.

Why do I write what I do?
I love exploring our world in all its gorgeous complexity. For me, both reading and writing is a way to slip the surly bonds of reality, to travel places that can only exist in our dreams and imaginations.

I’m devoted to science fiction and fantasy, but animal stories were my first love: Call of the Wild, Watership Down, Black Beauty, The Incredible Journey, Charlotte’s Web. You get the idea. I find that animals often show up in my stories. I am intensely interested in how we go about defining ourselves from the natural world around us.

How does my writing process work?
Since I’m working out how to go about writing a novel, I’ll speak to that. Frankly, right now, it’s a journey of discovery with all its pleasures and frustrations. I put up a word counter on the side bar, but haven’t added any new words yet, because I had to stop drafting and go back create a better outline. I’m pretty sure I’m not a pantser (someone who writes a draft by the seat of their pants). Outlining helps me develop the story as a whole, and I need that in order to have the confidence to wade in. I don’t think I can just cast off into open water. I guess I’ll find out more about myself as a writer as I work through this project.

Now, I’ve got a card for each major scene. I’m journaling to work through the many questions that have presented themselves as I worked on the outline. Next, I’ll start going card by card, scene by scene with some time in the evening devoted to working out “meta” thoughts and story problems in my journal. This way, with a rough road map and solving problems as I go, I hope to make steady progress.

So, that’s my process. Today…

D.L. Young and Aaron DaMommio tag you’re it!

Here's a cheetah and a dog playing tag.

Thursday, February 27, 2014

Choosing

Onion Starts

So much of life is about choosing. I’ve blogged about it before, talking about “saying yes” and “saying no.”

Down here in Central Texas, spring is nearly upon us. Now that I know I won’t have a fellowship, it’s time to plan both my garden and my writing for the rest of the year.

While I put my Michener application together and took the GRE, my novella revisions got pushed onto the back burner. Instead, I focused on shorter works and exercises. In November, I did my own personal National NovelWriting Month (NaNoWriMo) challenge, writing a new story “start” nearly every day. The whole exercise was wonderfully fun, and I ended up with 27 story starts. Of those, there are about a dozen that I think I can turn into viable stories.

In January and February, I participated in a flash fiction contest with one of my writers’ groups. A couple stories from that are already in submission and I’ll be sending a couple more out next week.

Looking over what I’ve produced over the winter and thinking about what I want to accomplish this year, I can see that I have far too many open projects.

It's time to hunker down and face the hard part. Choosing. While Heinlein famously said “finish what you start,” adhering too strictly to that rule doesn’t allow for the kind of writing exercises and noodling in my journal that are an important part of learning how to craft a story or build a character.

Still, choosing is hard! Even the most cursory writing exercises produces images that stick with me, or lines of dialogue that keep whispering in my ear. Reading them over, I can’t help but think,  with a little water and sunlight something could really grow from this start.

But time constrains us all, and I’ve come to understand that not every start has to be finished. As long as I’m being productive in terms of completed and submitted stories, then there are some things that I can set aside. In other words, as long as I continue to finish things, I don't have to finish ALL the things.

But, once I commit to a story, I have to finish it, because choosing is hard but finishing is harder.

I finished the first draft of a story yesterday, and it wasn’t pretty. I mean I just limped across the finish line. It felt like I was writing garbage. I’m reading it over and revising it today, and while the last third is a bit of a morass, it’s not nearly as bad as I thought it was when I was miserably wading through it. 

Things almost always get harder in the middle. Quitting one project to start something shiny and new is the trap to avoid. Each project comes with unanticipated demands, requiring me to stretch and learn in new ways. Choosing, and the commitment to finish, is where we grow.

Thursday, August 8, 2013

Write-a-Thon Storytime




The Clarion write-a-thon is over. I enjoyed the challenge and made some real progress toward my personal goals. As part of my write-a-thon commitment I promised to write a story for anyone who donated on my page. I was inspired to do this by the brilliant Robert Shearman and his One Hundred Stories project (never mind that he's on break, there are plenty of stories to read). It's a little intimidating to follow in his footsteps, but I promised to feature any donors by name in a hand crafted, artisinal story of my own concoction. One Karen G. Anderson donated on my page, so here you go!



The Other Karen Anderson *
By Rebecca Schwarz


Karen marched up the driveway, her dead phone slick in her hand, convinced despite all evidence, that it might light up with an incoming call or allow her, even now, to call a tow truck. They’d given up the landline last year. Thank God the car quit only a couple miles out on the frontage road that bordered their neighborhood. She walked through the foyer to the kitchen. Everything looked just as she’d left it this morning, tidier even, but what she really noticed was the cool puff air conditioning.


Lucky for her, the car had rolled to a stop in front of a gaggle of college kids (the girls in crocheted tank tops the boys in tee-shirts that referenced completely unfamiliar bands or memes or something). They pushed the old Oldsmobile off the road and into the empty yard of an abandoned house that she’d driven by every day for years without ever noticing. Their good deed done, the kids moved off before she realized that her phone had died.

She turned back to the house. A tiny sign hung on the porch. Apparently, this had been the law office of Dickerson and Poole, LLC. The door once painted an optimistic blue, was now grimed to a cloudy twilight shade. Sunlight shone through the lone window, its small panes dull with accreted dust and exhaust. For a moment, she thought she saw motion inside and considered knocking on the door, imagining a desiccated little lawyer inside, hoping for a client. Would he even have a phone? How had she never seen this house? The motion was probably a curtain shifting, or the effect of the shadows cast from the cars roaring by on the highway behind her. She started home on foot across the uneven pavement of the neighborhood streets. Everything looked different in the bright afternoon heat. The satin lining under her seersucker suit clung to her arms.

She stopped and looked back. She hadn’t locked it. She slipped her hand into her pocket and closed her fingers around the key ring. Well, if she’d been smart, she would have left the keys in it. Then maybe someone would steal it and she’d be free of the thing at least for a while. The car was old, but of course Mike had kept it in tip-top shape. She used to tease him, calling him Mr. Parker, because he was like the Old Man in The Christmas Story. Ralphie was really talking about Mike when he said: “Some men are Baptists, others Catholics; my father was an Oldsmobile man.” In every other way he was a regular husband. She believed everyone should be allowed their obsessions, but enough was enough. He knew she wanted to drive something different; a nice, modern compact. She sure as hell was going to bring it up again tonight.


The kitchen was the coolest room at this time of day. She couldn’t recall everyone’s schedule, and checked her phone reflexively, even though she knew it was Wednesday. Her face glared up at her from the black screen, dripping sweat and pissed. She peeled her jacket off, threw it over the back of a kitchen chair and went to the bathroom to splash some water over her face. Someone moved around the kitchen. She toweled off and took a deep breath. She felt better, a little cooler and she was home. They’d get the car towed and she’d pour herself a glass of wine.

Mike gave a little start when she stepped out of the bathroom and into the kitchen. He stood there on the other side of the island holding the meat tenderizer, and stared at her for a moment before putting it down on the counter behind him. Finally, he said, “Hello?”

“Hello yourself.” If he was planning to make dinner that only meant that he hadn’t been out to see that one of his precious Oldsmobiles wasn’t in the stable. “The car quit. My phone, too, though I know I charged it last night.”

“Oh, I see.” He sounded relieved. She’d expected something closer to panic. “You want to call a tow truck from our phone?” He pointed to a phone mounted on the wall next to the fridge.

Karen stared at the thing. It was the same shade of green as the leaves on the wallpaper that she’d picked out three years ago when they’d redone the kitchen. She’d never seen this phone before in her life. Their old phone had been some ubiquitous cordless from BestBuy. Mike backed away so that she could step around the counter to make her call. But she couldn’t move. She had to concentrate to breathe.

“We don’t have a phone.” Her voice disappeared into a whisper. She cleared her throat.

“Why don’t you sit down for a bit?” he said. “It’s awfully hot out there.”

“Mike.”

He took a glass down from the cupboard. A glass from the set she’d bought at Ikea. And turned back to her. “Who’s Mike?”

Karen slid onto one of the chairs and took up her phone again in her now shaking hands. This man, who was not Mike, filled the glass with ice and then water and slid it across the counter to her. She drank it down.

“I’m sorry – ” She looked at him.

“Phil,” the man provided.

“ – Phil, it’s just. This house looks a lot like my house. I guess I got confused.”

“Like I said, it’s hot out there.”

“I know.” Karen couldn’t keep the irritation out of her voice. Sweat trickled down her back soaking her blouse. She stood and snatched her jacket off the chair, dropping her dead phone into the pocket. “Thank you for the water. I think I’m fine now.” This was her house, but somehow not her world. Had the abandoned law office really been there all these years? It looked like something from some creepy fairytale. She should get back to the Oldsmobile.

“Are you sure? I can call a tow for you.” Phil picked the receiver off the cradle and held it up, its faint dial tone reaching across the space between them.

“No, I’ll be okay.” She turned and strode to the door that led to the garage. The handle wobbled in her grip. Fixing that doorknob was an item on Mike’s honey-do list. Apparently neither Mike nor Phil had gotten around to it.

She opened the door and froze. There in her spot (she always parked on the right), was a silver Mazda Miata. All these years, she’d imagined driving something sporty but sensible, never imagining something like this. Behind her, Phil put the phone back in its cradle. That green phone was some other Karen Anderson’s phone. This was some other Karen Anderson’s garage. She tore her eyes from the car and looked back at Phil standing awkwardly in the kitchen.

“You’re right. It would be lovely if you could you call a tow for me?”

“Of course.” Phil picked up the phone again with relief.

“I’m going to wait with my car. It’s just off the frontage road a couple miles south of here.”

Phil pulled the phone book out of the drawer where, in her world, she kept all the take out menus. He opened it and glanced up at her. She mouthed, “Thank you,” then stepped into the garage, closing the door behind her.

She pulled the Mazda’s keys off the key board, took the old Oldsmobile’s keys out of her pocket and replaced them on the hook. Quietly, she opened the driver door and slid in. The seat fit her body like a glove. She started the car, threw it in reverse, backed out, and headed for the highway. She hoped the other Karen Anderson would like her new Oldsmobile, it really was in mint condition.

* In Karen's bio on her write-a-thon page she claims she is "The other Karen Anderson." I used that as a jumping off point for the story.

Wednesday, June 5, 2013

Read The Horses at Every Day Fiction


My story, The Horses, has already come up in the Every Day Fiction rotation. It was posted on Sunday the 2nd of June. You can read it here. You can even rate it and/or leave a comment.



This story was generated by a prompt from Cat Rambo. I met her Armadillo Con  where she was my pro at last year's writer's workshop. Since The Horses is (I hope) a story of revelation, I don't want to say what the prompt was. I will say that I have taken both individual instruction and an online class from Cat and they were both worth every penny. Cat is easygoing and insightful, able to both inspire and give direction. Check out her class schedule here.



Every Day Fiction is also a great market. They are not the speediest to reply but worth the wait. I've had pieces rejected there too, and what I like about how they do things is that, whether rejected or accepted, the story is read by a group of editors, each of whom write a few comments These are all collected into a nice little critique. So, if you don't have a lot of other avenues to get critiques for your work, this is an excellent market. Check out their guidelines here.

Today is the last day of school, so everything changes regarding when and where I can write. I'll be talking about how I fit writing into my life over the summer in another post.

Friday, February 1, 2013

Zombie Envy is up at Flashes in the Dark

A member of staff at the Angels Fancy Dress shop works in their Shaftsbury Avenue branch 
in a Halloween costume, Oct. 28, 2011 in London, England. (Oli Scarff/Getty Images)
 I got the word rather late last night that one of my stories had been accepted, so here's the official announcement that my story Zombie Envy up at Flashes in the Dark along with a lot of other great, short horror fiction.


Since zombies are pretty overplayed right now, I wanted to try to write a story that came at the subject from a little different angle. I got to wondering about how much the undead might retain as far as, if not memory, perhaps old habits. That and the idea that old relationships can sometimes kind of shamble on in our hearts in an undead way. I really had fun writing this one. Be warned, it's a little gross because - zombies.

Thursday, January 31, 2013

Writing My First Novelette & Google Auto-Complete as Story Prompt


I see now what Jay Lake is talking about when he says writing a short story a week will teach you about scaling. All I can say is that it's going to take me a while to get that down.

January's Week Three story ballooned into novelette (with the working title of Izzy Crow).  I just completed the draft yesterday and true to my Order v. Chaos theory, this draft is a glorious MESS! It's currently at 14,000 words with close to 3,000 words in the trash bin (I decided not to count shearing off and dumping my extraneous flailings-about as revising).

I'm spending today attempting* to draft a couple flash pieces. I don't know if I'll come up with much as I'm pretty spent, but I'll be writing and I'll keep W1S1 obligation on track for January. I think it's going to take a few months to get this write-a-story-a-week thing up and running smoothly. I'm surprisingly okay with that. Despite my shaky start in terms of meeting the letter of my goals, I think I've met the spirit of them. I have written more regularly and produced a greater volume of words than I did in any single month last year. Instead of struggling to write a thousand words a day, most days I wrote at least 1K words and even had a couple 2K days!

I'm hoping that this new velocity will produce, if not cohesion, then more passion in my stories. I'll know more after I give Izzy Crow a read through this weekend. Next week I'll start revising. I will be very interested in the difference in the word count between this draft and the first revision.

Inspired by Cheezburger's Auto-Complete Writes a Poem, I decided to let Google auto-complete prompt me. If you want to try it just type in a pronoun and the first letter of any "be" verb. I wanted to write in third person, here's what I got with "she" and "he." Fun!



Here's and example what I got with one:

That Guy

He who arrived two hours after the party started.
He who never answered the invitation because he never received one, but his old college roommate did.
He who is always hungry for meaning, which is not to be confused with mere  information.
He who corners you between the buffet table and the wall for forty-five minutes, but never tells you his name. He must consider that “information.”
He who tells you, more than once, that he would normally never attend a party whose hosts are so cruelly uninformed as to serve overpriced eggs torn from the bellies of the magnificent fish that swim in streams or are raised in aquaculture or are freakishly enlarged due to genetic modification or hormones or maybe all of the above.
He who tells you about the cabin he lived in after he graduated. It belonged to his grandma, though the land belongs to the county now.
He who spent the winter writing truth after truth about the degradation of our culture in a pile of spiral notebooks.
He who would have everyone believe that the cabin is as pristine as the unmarred wilderness that embraces it. But you have been in a few cabins yourself, and looked out at the wind driving the rain through the slender gaps between each gray plank of aging wood.
He who huddled on the bed, blank notebooks at his feet, wrapped in an ancient blanket so thoroughly eaten by moths that the holes resemble a spray of buck-shot. While he talks, you remember the marred roadside signs that still say Yield despite the paint that has been torn away.
He who will not yield, but will instead hike out of the valley, watched silently by bobcat and snake, harangued by jay and squirrel.
He who returns to the city and begs a spot on your friend's couch.
He who sleeps quiet as a mouse and turned discretely toward the cushions until the roommate’s wife and new baby wake him, she singing softly to it until the two of them fall asleep again in the rocking chair that has been moved into the kitchen.
He who when he cannot sleep, slips out into the slick-paved night where he discovers an all-night coffee house filled with fantastic and impossible animal heads mounted on the wall.
He who is seriously considering a career in papier-mâché, because art is art, right?
He who stays until all of the guests have left including his old college roommate.
He who does not have cab fare.
He who ate all the caviar.


*The novelette was supposed to be a flash story. It grew out of a prompt from Storymatic (more about that nifty little item in another post). The cards I drew were: a pig, plastic flowers, and royalty.

Thursday, January 3, 2013

A Story a Week in 2013

Not every story will be a butterfly, so write more stories!
I have my ongoing writing goals and a queue of story ideas waiting to be written so I was debating wheather to come up actual resolutions this year. But the fact is, I kinda like making resolutions, even if only 10% stick, I figure I'm still in the black. Then I read Chuck Wendig's post pooh poohing the anti-New Year's resolutioners:
"This is of course the time of the year when frowny-faced naysayers tell you your resolutions are stupid and why are you waiting till today to make them and keep them, as if your today must conform to their today, as if your decision to evolve or change or Do Something is somehow offensive to them. It’s the same cynical thing you hear at Valentine’s Day — “I don’t need a day to buy flowers for my wife,” they say, which is true, but of course they probably don’t buy flowers for their wives on any other day anyway."
And that sealed it!

Not only am I going to make resolutions. I'll tell you about them so that you, fair reader, can hold me accountable. First, be sure to read the rest of Wendig's short, inspiring rant here.

Then on New Year's day, I stumbled upon Jay Lake's great essay where he gives his own four rules of writing:

1) Write a story every week.
2) Finish everything you start.
3) Don't self-critique while you're writing
4) Work on one thing at a time.

I think I'm ready to step up my game to produce a story a week, so I've decided to participate in Write 1 Sub 1 This year.

I am modifying this challenge since while I think writing a story a week is achievable, I agree with Lake that not all those stories will be keepers. So, I am resolving to write (i.e. finish) one story a week and to submit two stories per month allowing for a 50% success/failure rate. It will just about double my submission numbers which were closer to one per month last year. I like how Lake looks at his stories as inventory with the point being that you want lots of inventory.

I'm going to keep up with my daily freewriting with a timed piece of true free writing and a timed piece that is a story exercise from one my my many prompt books, games, apps, etc. This represents about 20 - 40 minutes of warm up activity - what any good athlete or musician puts in.

I will still be blogging every Thursday and might even post a flash story or three. 


Thursday, September 20, 2012

Quitting


Yeah, sorry Story A Day. Like National Novel Writing Month, it's a great concept and got me really worked up and (this is important) set me on a more productive course. I have generated and written more complete drafts in these past two weeks, than maybe ever.

This happened because I tried this challenge, but failing it has showed me something about my process. And this year is all about me figuring out my process. How to generate and manage new ideas while drafting material and shaping them into stories. And how to keep up with revising what I wrote last week. I would like to write a novel starting in 2013, but I don't want to entirely give up writing short stories so there's a lot to figure out.

I discovered that yes I can generate and draft a flash fiction story in a day, but I also found out that I cannot know how long any given story will be once I start writing it. Starting something requires an emotional committment, which means I must to see it through to the end even if doesn't happen for 6,000 words or more. Given my commitments I cannot hole up for 25 hours to write a novelette so Story A Day, while it's wonderful - is not a great fit for me.

So I've set some new goals. Actually they're old new goals as in ones I've set before, only this time I seem to be achieving them!

  • Write 1,000 words a day (That gives me one standard length story a week or a couple shorter ones.)
  • Keep up with revisions
  • Try to submit one story a week (it won't be that week's story because, you know, revising)


For now to heck with deadlines. It's all about keeping things moving through the pipeline.

Thursday, September 6, 2012

Story A Day Week 1, With Cheating and a Story


Well, it's not cheating when you get to set the rules and that's one of the things I like about the Story A Day challenge.
"You get to decide what “every day” means. If you need to take Sundays off, go for it. You make your own rules, but you are encouraged to set them up early, and stick to them!"
I know busy days will happen and life will intervene because that's life's job, right? Also, with any creative challenge it's important to think about how it will serve your goals best. 

Here are my cheats, I mean rules:
  1. Some stories will take more than a day to write. I'm going to try to keep it under three days. This means I'll be writing some of these stories concurrently. To balance this I expect to be writing some very short fiction on some days.
  2. I'm going to finish a story every day, my cheat is that I have half a dozen stories that are either unfinished or not working, but that I can't seem to give up on. I've decided that finishing or refurbishing those stories will count. (This is a lame cheat as fixing a broken story is often more work than writing a new one.) Overachiever alert: not only do I want to write 30 stories, I want to clear the decks of the jetsam that's been adrift in my files for months. Quite possibly I'm delusional.
And here is this week's report:
  • Saturday 9/1  #Blackbird a story in 6 tweets. Posted to Twitter.
  • Sunday 9/2 - Kith and Kin based on a prompt from Brainstormer, the elements being enmity to kin and insects.
  • Monday 9/3 - Naturally a story about a woman and a dog.
  • Tuesday 9/4 - The Trumpet and the Ticket Taker from a prompt on Chaotic Shiny: "Write for at least 5 minutes about a financial difficulty, a horn, a vulture, and a backpack."
  • Wednesday 9/5 - The Mausel Dog based on a prompt from Cat Rambo. It's about 4,000 words long. (I'm supposed to be turning these prompts into flash fiction, i.e. around 1,000 words. Total failure so far on that count.)

My Saturday story was an experiment in web serial writing? Twitfic? In any case I liked it and will definitely do more this month. Jennifer Egan published a great web serial type story on twitter and in the New Yorker. It's not available on the net (yet), but you can read all about it here.


 #Blackbird

Hemingway wrote a story in six words - “For sale: baby shoes, never worn.” How about a story in six tweets. Stay tuned:

For the love of all the gods of the river Lethe I will not abide the --

sale of Krake's horse or his sword. I freed the beast and buried the sword. This giant, I reared from a --

baby. No woman's breast mine, only black feathers, beak and talons. But cold comfort is a kind of comfort still.

Shoes I stole for his feet. A helmet I found for his head. I accompanied him on a journey of a thousand foreign wars. I will --

never forget the hours we gamboled with toy sword and wooden shield in the long meadow grass. The laughing child’s face slowly 

worn away, buried under the scars of battle. Now my brother carrion birds carry his flesh into the sky.