Thinking Deeply

This cake's done, but my story isn't ready to come out of the oven yet.

One of the things I forgot to list in my gratitude post was how writing stories forces me to think deeply about the story, about the world, about myself, about everything really. What I love about writing science fiction and fantasy is that it forces me to imagine what it means to be human in a universe populated with other - other what? With the Other. There's nothing like creating a world that is alien (either alien of our own making or otherworldly) and thinking how we would behave around those Others. 

This is the part I think of as cooking the story, and it's what I mean when I say the story isn't "done" yet.

"You're finished," my mom used to chide, "cakes are done."

Maybe I should call it baking a story. In any case there's a lot of head work before a story is "done" enough in my brain, by which means it has arrived at the point where I can begin writing.

It's why a lot of writing looks like this --

-- though most of it still looks like this.

How to start thinking deeply in genre:

In fantasy you must establish the rules of the world of the story. If there's magic, how does it work and more importantly what are the limits? Because there's the rub as Shakespeare would say. And it's the rub, the obstacles that the characters must overcome that give your story its teeth. In science fiction the rules and limits align with what we know of the natural world, sociology, physics. 

Just remember the reader doesn't really care about the rules, not the way you do Don't waste pages laying them all out, turning your story into an instruction manual. The rules matter to your characters. Decide them then internalize them so that the world of the story can become compelling to your reader through your characters' thoughts and actions as they moves through their world.

Structure & Freedom

Network Structure
Bonsai Tree Table by Anke Weiss from Dezeen

I'm still working on my process, partly because I am currently stuck on a story. I have this idea. Actually it's a constellation of ideas along with an odd little collection of evocative images, characters, and places that make up a mood or feeling that I think this story could capture. This is generally what my unstructured ideas look like. I've been trying everything to discover the underlining structure (i.e. through line, sequence of events, plot) that will articulate this nebulous idea to the point where I can sensibly write it as a story.

So, the past couple weeks I've been just working toward some kind of outline. I have never had any luck writing by the seat of my pants. I blame my own empathy. I am very driven in my real life to avoid conflict, so when I just write into the blue everyone in my stories comes to sensible compromises or finds a way to walk away from the dragons they should be facing down. But making an outline is tricky. Outlines can strangle or obliterate a nascent unstructured idea before it's even had a chance to be born. I think it might be better so say I'm trying to "find" an outline rather than "make" one.

For me, the outline is important because structure is intrinsic to the world and our experience of it. Here's a quote from the guy that grew/built the table pictured above:

This work is the result of a research project about scale. The “network” structure can be found in every scale: by looking in as far as possible (cells, molecules, etc.), or by looking on the natural human scale (veins, lungs, trees, riverbeds, maps etc.), or by looking as far out as possible (solar system, galaxies). Even representations of the virtual world (the internet) resemble this structure.

Like this table that was once a living tree, my outlines need to grow and change, to be mutable, even while I'm drafting. The outline helps me solidify a collection of thoughts and emotions just enough so that I can capture some essence of the thing that will become the beating heart at the center of the story. 

The Next Big Thing

Inspiration:
 For the World is Hollow And I have Touched the Sky

Patrice Sarath tagged me to talk about my Next Big Thing. She is the author of the Gordath Wood series (Gordath Wood, Red Gold Bridge, and The Crow God's Girl) and the Jane Austin-inspired The Unexpected Miss Bennet. Her latest WIP is Bandit Girls.

It might be better to call it my FIRST Big Thing as (barring the Mayan Apocalypse), I am hereby publicly committing to writing a novel in 2013. 

10 questions about your Next Big Thing:

1. What is the title of your work in progress?

The Iron Tongue of Midnight (from A Midsummer Night's Dream) is a potential title. For now Inside Out is the working title. 

2. Where did the idea come from for the book?

What I have so far has coalesced around a constellation of smaller obsessions ideas that consistently interest me. Influences include: the story of Proserpine and Hades, my misspent youth reading Carl Jung, and, you know, space.

3. What genre does your book fall under?

Science Fiction with likely some fantasy and/or slip-streamy elements.

4. Which actors would you choose to play your characters in the movie?

That question is pretty far down the road for me to think about. If this novel did get optioned and the casting were up to me I'd like to put Sean Bean in a role where he expressly does NOT get killed. So, spoiler! When you are reading this novel and encounter a Sean Bean like character, you can proceed confident in the fact that he will definitely not die in some horribly tragic way.

5. What is a brief synopsis of the book?

After a failed mutiny, a generation ship continues on to its unknown destination while the mutineers eke out a tenuous existence on the hull. No one has tried to reenter the sealed ship until our hero (yet to be named) begins to have strange dreams, which she believes comes from one of the sleepers inside.

6. Will your book be self-published or represented by an agency?

I look forward to shopping it around to agencies. After that, who knows.

7. How long did it take you to write the first draft of the manuscript?

I know I can't write fast enough to draft it in the 30 days of NaNoWriMo. I recently bought The 90-Day Novel by Alan Watt and may use that as a template for my first draft. I am currently researching and world building and will start drafting New Year's Day. With drafting and revisions, I hope to have something presentable by the end of the year.

8. What other books would you compare this story to in your genre?

I can't compare it to other books yet, so instead here are some novels I love:

By way of preliminary research, here's a quick list of novels with generation and/or sleeper ships that I hope to peruse before the end of the year:

• Orphans of the Sky by Heinlein
• The Book of the Long Sun by Gene Wolfe
• Across the Universe by Beth Rivas
• Ship of Fools by Richard P. Russo
• The Dream Millennium by James White

9. Who or what inspired you to write this book?

I am fascinated with the borders people create both in the so called "real world" world and within our own hearts and minds. I'm looking forward to combining the deep outside of interstellar space exploration with the deep inside of our human subconscious.

10. What else about your book might pique the reader's interest?

I'm looking forward to the challenge of writing a dream v. reality story and hope that it will be one of the more interesting aspects of the book.

Here are my picks for the next Next Big Thing - check out their answers!

Marshall Ryan Maresca

Silver Bowen

Cat Rambo