Thursday, January 12, 2012

Resolute

Onward, to the future.
 I like the idea of resolutions, although I suspect it's just a subcategory of my love of lists. I've decided to take a little different tack this year. Here's a version of what I wrote in my Journal on January 1st.
  • I resolve to accomplish more this year than last year, BUT not astronomically more.
  • I resolve to stop dictating unreachable goals and impossible schedules to myself. You know the ones that only serve to discourage and scuttle any chance of accomplishing anything. (I think it is reasonable to write and submit one story a month this year which fits nicely with Write 1 Sub 1's monthly challenge.)
  • I resolve to LEARN my own habits by observing and recording my work patterns in a writing calendar. I'll do this in order to discover my own best method for bringing work from idea to draft, through revision and critique, and into to publishable form.
  • I resolve to stop saying, I will "FIND" time to write, and only say, I will "MAKE" time to write as I have NEVER found any time laying around.
  • I resolve to conquer that short but challenging walk to my work space: To say YES  to the work. 
  • I resolve to forgive myself for the days where writing doesn't happen, and to move on without guilt.
  • I resolve to to recognize my loving obligations to my family, and to use the time I DO make for writing well.
  • I resolve to always do my best work, and to make my writing better through practice.
  • I resolve to be more open and free, to cherish and grow new ideas by saying YES to the world even if saying yes makes me feel vunerable or awkward or means that I might risk embarrassment.
  • I will put my work out there by submitting at least 12 stories this year.
  • I resolve procrastinate LESS (not that I will no longer procrastinate, baby steps).
  • I resolve to reach out to my fellow travelers, specifically via this blog, and by regularly attending my local writers' group.
  • I resolve to look up and meet this curious world's gaze.
  • It's going to be a good year.



Thursday, January 5, 2012

Listening to Stories


I listen to about as much material as I read if not more. With two kids and their lessons, a part-time job and a dog to walk, it's the only way I stay current at all.

Listening is different from reading with your eyeballs. But once you adjust to the aural attentiveness required to take in a spoken word piece its delightful to knit or scrub or walk while someone reaches across time and space to tell you a story.

With audio there are three people involved, you the writer and the reader. I great reader can really add dimension to whatever you are listening to, and a not so great reader can make a difficult slog of a great story. It's the price you pay for the extra company.

It feels both modern - with the technology that makes audio books and podcasting so accessible - and primal to listen to a story. Put in your earbuds and join those long gone people who sat around the fire listening to the Illiad, Gilgamesh and Beowulf (all of which you can get as audiobooks by the way).

Mostly, I get audiobooks from the library and load them onto my iPod, but my queue of novels and nonfiction is getting dusty since I discovered so many great podcasts this year. Turns out the Pod-o-sphere is chock full of fantastic genre stories, news and chat. To write great short stories you have to read lots of them. Thanks to these podcasts I've listened to more stories, and to a broader range of stories within the genre, than I could have possibly read this year.

Here's what I've been listening to. It's by no means a comprehensive list, but I still say it's awesome. It's made cleaning the house, running errands and walking the dog immeasurably more pleasant.

STORIES

Podcastle
All kinds of fantasy stories from swords and socerey to slipstream.


Escape Pod
Great science fiction stories in all styles from new and established authors in the field.


Beneath Ceaseless Skies
This one specializes in literary adventure fantasy that takes place on secondary worlds.


Clarkesworld
This online magazine has won the Hugo for best semipro magazine two years running. The stories are fantastic and varied. The first thing I did when I got my Kindle for Christmas was subscribe to this and to Lightspeed Magazine.


Lightspeed
A John Joseph Adams joint this magazine and podcast is combining with its sister magazine Fantasy for double the podcasts and stories.


NEWS & CHAT

SFSignal
Both the website and this podcast are a great source of news about goings on in the genre.


Coode Street Podcast
I really enjoy hearing these two friends chatting about all things science fiction and fantasy. Both Jonathan Strahan and Gary K. Woolfe are award-winning anthologists and editors.


SCIENCE
(File under inspiration. keeping the "science" in science fiction.)

Groks Science Radio Show
The production values are low but the two hosts are great interviewers and often have some big names in science on their show to discuss current science topics.


ON WRITING

Odyssey
Samples of lectures from the Odyssey Writer's Workshop. They don't post very often, but I've listened through their entire catalog and there's a lot of great writing and genre advice. If you can't afford six weeks to attend this workshop, check out their podcast.


Writing Excuses
Fun and chatty with good advice too. Gotta love their motto: "Fifteen minutes long, because you're in a hurry, and we're not that smart."


I Should Be Writing
Another great genre focused podcast. Advice and interviews mixed with writerly commiseration.


So that's what's keeping my ears happy right now. I know there's lots more out there. Tell me about your favorites in the comments and I'll add them on. Enjoy!

Friday, December 16, 2011

Seeking Out Poetry


Poetry should be fun!

Poetry is amazing. As kids we love it openly, proven by the fact that many of the poets names we remember are the ones who wrote or are writing children's verse. Lewis Carroll, T.S. Eliot, Dr. Seuss, Jack Prelutsky, Shel Silverstein...  Most of us have even tried writing a little, at least in Junior High or High School. Sadly, as we grow up, many of us stop writing it and stop reading it. We just move on as if from a summer fling. 

But reading and writing poetry shouldn't be just an adolescent phase. We loved poetry as kids because poetry can be really great, playful and fun (Where the Sidewalk Ends) or full of adventure and even gore (The Iliad and the Odyssey). Everyone who loves to read should read poetry, not because it's good for you, but simply because it's enjoyable. Or it should be. 

That's where things get tricky. There's a lot of poetry out there. All the classics are easy to find or access, but what about joining in on the conversation that's happening today? Discovering contemporary poets means actively searching out poems. The good news is that there is a lot being published both in print and on the Internet (both written and performed), the bad news is that there is a lot being published. So, finding good, nurishing poetry means wading through a fair amount of mediocre verse, which raises a sticky little problem that, I think, discourages most people. You have to make an assessment about what you're reading.

Most readers feel pretty comfortable critically assessing a newspaper article, TV show or a novel but too many people have this idea that poems exist in some rarefied atmosphere of mysterious literary achievement. There is a lot you can learn about poetic forms, meter, rhyme and all the rest, but the fact is a poem should touch you emotionally without any advanced training. You don't have to know a thing about imbic pentameter to enjoy a sonnet by Shakespeare. Seek out poems, read them, come back to the ones you like and leave the others behind.

Writers should read poetry for all the reasons stated above and, I submit, we writers should be writing poetry too. Poets strive to express a new and surprising way of looking at things by manipulating language, metaphor and imagery in novel ways to create meaning that is transformative. It's the same thing that a great short story or novel should accomplish: something that is more than the sum of its parts. If a novel is a pint of beer, and a short story a shot of whiskey, then a poem should hit you like a speedball.
"That is what poetry really is. It is the height and quintessence of emotion, of every sort of emotion. But it is always somebody feeling something at white heat, and it is as vital as the description of a battle would be, told by a soldier who had been in it."
~Amy Lowell
If you're a writer, I challenge you to make a special effort to connect with poetry both by reading it and by writing it again. We are hesitant to return to writing poetry - maybe because many of us wrote some perfectly gawdawful stuff back in the day. Because poetry deals in deeply felt emotions and because as teenagers we are grappling with so many new, intense emotions that looking back can be a little harrowing. Consider it an exercise in love and acceptance. If you look back, love your 13-year-old self.

In the spirit of early New Year's resolutions I will be writing one poem a week next year. This is what I think I can manage while keeping up my short story goals (more on that in a later post). Join me wont you? Write a poem or two this year, you don't have to show it to a soul.

To get started check out The Poetry Foundation's excellent site. They also have a great app.

Thursday, December 15, 2011

The Uses of Failure

I have not failed. I've just found 10,000 ways that won't work. 
-Thomas Edison
We've all heard it before: failure is the path to success! Or something like it, and it's supposed to make you feel, what? Better? Does it? And what does that really mean?

Part of the problem is that the word failure covers a lot of ground. Today, it even passes for entertainment. Laugh at people's failures, post them on your Facebook page, share them with your friends... One thing the Fail Blog makes clear is that there are a million ways to fail,
and a myriad of ways to succeed.

To put it in the language of art, you fail in pursuit of a perfection that you will never attain. Oh noble failure. Honestly, this does not do it for me as a writer.

I think it's better to use failure the way an inventor or a scientist does. When an experiment fails you examine your results and adjust your methods and run it again. Keep what works and throw out what doesn't. Learn, grow, innovate, refine. Rinse & repeat.


The arrows on these signs should be pointing in the SAME direction.
Part of what inspired this post is Neal Stephenson's excellent essay Innovation Starvation, which is a big picture look at what I would call a collective failure of nerve. 
Innovation can’t happen without accepting the risk that it might fail. The vast and radical innovations of the mid-20th century took place in a world that, in retrospect, looks insanely dangerous and unstable. Possible outcomes that the modern mind identifies as serious risks might not have been taken seriously—supposing they were noticed at all—by people habituated to the Depression, the World Wars, and the Cold War, in times when seat belts, antibiotics, and many vaccines did not exist.
Creating, honestly creating, involves both mastering craft and breaking new ground. The world you inhabit while you are creating should feel just as dangerous and unstable as the world that gave birth to the space race and all the fabulous innovation that it brought to our world. You just have to keep trying, failing, trying to get better, to keep putting yourself out there. In the words of Samuel Beckett -
"Ever tried. Ever failed. No matter. Try Again. Fail again. Fail better."

Friday, November 25, 2011

To blog or not to blog, that is the question:

Whether 'tis a nobler use of my time to update
The web or Facebook with my daily musings,
Or take aim against a sea of distractions,
And by opposing them: to sit, to delay
No more; and write a story to "The End."
An hour's denial of the thousand tasks
That each day is heir to? 'Tis a consummation
Devoutly to be wished. To click to view,
To post perchance to comment; Ay, there's the rub,
For in the blogoshpere, what time may slip,
While we scroll through pages of witty opinion,
Must give us pause. Is it my online presence
That makes a Calamity of my deadlines?
No! I will bear the Whips and Scorns of lost time
To grunt and sweat under a weary pen, toward
My undiscovered Country, from whose bourn
I as traveler bear back stories and posts.


Thursday, July 7, 2011

A New Story Available


My story Flotsam is up at FlagShip issue 6, which is a nifty little eZine that is the Science Fiction/Fantasy arm of Flying Island Press with a mission to
"bring the hottest science fiction and fantasy they can find to the earbuds and e-readers of their audience."
 I really enjoyed writing Flotsam. I set out to tell a simple story in the style of Golden Age science fiction. I felt that the wide-eyed wonder of that style fit nicely with the voice of the young protagonist.

Wednesday, July 6, 2011

Heinlein’s Rule No. 5: You Will Submit Again!

"No man but a blockhead ever wrote, except for money."  --Samuel Johnson (1709 -1784) 
Sounds like Johnson and Heinlein are cut from the same cloth.


While this doesn’t exactly close the circle, this final step will keep you focused on the fact that this whole writing business is a process, not a one-off proposition. Still, it’s difficult to master the yin and yang of creativity and business. The work of creation, crafting and art is its own reward. When I manage to pull some ideas together, to bring a character to life, to stitch together several disparate elements into a coherent tale, to entertain or move some reader out there, well, the value of that is incalculable.

Yet, our creativity can be both priceless and worth something here in this world. I believe that we all express ourselves creatively every day in a myriad of ways, sometimes its not so apparent when those expressions don't fall into a traditional category of arts and/or crafts. Maybe its how you train your dog, or your way with dinner conversation but when you choose writing (or painting or acting) as your life’s work then you should expect compensation. And by “expect” I don’t mean stand around waiting for pennies to rain down from above, I mean “expect” as in you should work toward that goal.

That said, I think the line of reasoning really speaks to me is from Steven Pressfield’s excellent book The War of Art
"Playing the game for money produces the proper professional attitude. It inculcates the lunch-pail mentality, the hard-core, hard-head, hard-hat state of mind that shows up for work despite rain or snow or dark of night and slugs it out day after day."
This rule is the prize at the bottom of the Cracker Jack box. Your work is your work, whether you build it with your hands on an assembly line or it comes from your head and heart as a story. If you’re going to be a productive artist you must show up to work, do the work, and when it’s finished put it on market. More concisely:

"Inspiration is for amateurs" --chuck close

So, those are the Rules. Thinking about them, talking about them, blogging about them, it’s all good, but the most important thing to do is follow them. While one story is in the hopper at a publication, draft the next one. It wont take long before you are sending stories out to editors regularly. In no time it will be routine. You’re a writer, this is what you do: you write, you finish what you write, you don’t spin your wheels in revision, you send your work out, and send it out again until it sells.